Name: Ottavio Dantone Giovanni Sollima
Start: 2017-06-12T00:00:00.000Z
End: 2017-06-12T00:00:00.000Z
Location: Palazzo Mauro De André

Admin

Ravenna Festival

Orchestra

Accademia Bizantina

Conductor

Ottavio Dantone

Instrumentalist

Cellist

Giovanni Sollima

Cello

Ottavio Dantone Giovanni Sollima

Ravenna

Italy

Palazzo Mauro De André

Ottavio Dantone Giovanni Sollima: Symphony No. 81 in G Major, Hob. I/81 Haydn (+2 More)

Public

Concert

Oratorio / Orchestral

Symphony No. 81 in G major (Hoboken I/81)

Symphony No. 80 in D Minor, Hob. I:80

Cello Concerto No. 2 in D Major, Hob. VIIb/2, Op. 101

Larissa Andrea Pereira

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Singer

Bass-baritone

Baritone

Soprano

Contralto

Tenor

Countertenor

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Year 1779. Haydn was still in charge at the Esterházy court when his contract was renegotiated, and he was allowed to work for others and sell his scores to publishers in Europe: now he could “think big” and work for the international market. The work of those years on theme and counterpoint, however, did not lose the composer’s typical smoothness – fully rendered by Accademia Bizantina’s original instruments, but if Symphony no. 80 still evokes a strong sense of Sturm und Drang, no. 81 shows unprecedented audacity in harmonic texture and rhythm. The Concerto no. 2 in D major for cello has the same sort of audacity, and, with Giovanni Sollima, reveals its full intimate potential.

English

È il 1779, Haydn è ancora in forze alla corte degli Esterházy, ma il suo nuovo contratto, nero su bianco, gli consente di accettare commissioni esterne e soprattutto di pubblicare i suoi lavori con gli editori europei: quindi, di scrivere pensando “in grande” e rivolgendosi al mercato internazionale. L’elaborazione tematica e contrappuntistica di quegli anni non perde comunque la leggerezza che gli è propria – restituita appieno dagli strumenti originali di Accademia Bizantina –, ma se la Sinfonia n. 80 segna l’ultimo suo affacciarsi alla temperie Sturm und Drang, quella successiva rivela un’inedita audacia nel tessuto armonico come in quello ritmico. La stessa audacia riservata al violoncello solista nel Concerto in re maggiore, che nelle mani di Giovanni Sollima svela tutte le sue più intime potenzialità.

italiano

Ottavio Dantone Giovanni Sollima by Haydn, From (2017/2017), Conductor Ottavio Dantone, Palazzo Mauro De André, Ravenna, Italy

Performance credits (Cast & Crew )

Ensemble

Programme, About & Synopsis

Photos

Further reading

Performance Dates & Venues

Venues